Thought I would take a solo trip into SF last night to visit some openings on the usual First Thursday gallery pilgrimage. I wanted to honor my friend Apollonia who has new work in 2 galleries, opening simultaneously (so proud). But I wasn't alone long because the night turned into a "Who's Who" in the microcosmic world of Ann's art connections. Right away I ran into 2 couples I know from the North Bay (glad to see you guys checkin the scene!) And darting in and out of galleries, I ran into a stellar cast of Bay Area artists who stopped to chat. Below is an image collection of what the night would have looked like as a spontaneous exhibition!
Luckily I did find my friend Apollonia and her husband John Lightfoot of Site Specific Documentary at Stephen Wirtz Gallery in the 49 Geary building. Apollonia is showing a new series of incredibly beautiful photographs of the USS Hornet, a retired aircraft carrier docked in Alameda. These photos are so rich and deep--in a somewhat vignetted perspective--they resurrect the ship and the lives that once inhabited it. Selections from her series are also part of a vast photography show at SF Camerawork called An Autobiography of the San Francisco Bay Area. SF Camerawork is celebrating its 35th anniversary with this two-part exhibition. "Part II, The Future Lasts Forever," which opened yesterday includes more than 30 participating artists representing an international mix of well-established and emerging artists.
One such artist is the magnanimous Linda Connor, who was showing a series based on nineteen century astrophotographs of the star studded sky. Linda photographs sacred places, which she has pursued around the globe. I am a huge fan of her work and its ability to attain an elusive state of meditation (even amid a packed gallery opening). Check out more of her work here.
I actually ran into Linda at the Haines Gallery where Mike Henderson was exhibiting and jamming with his blues band.Mike Henderson makes large expressive, gestural abstract paintings that are influenced by the blues and jazz music he also creates. Out on the dance floor was William Wiley, tall dark and very coordinated! Wiley is a mainstay at the di Rosa collection in Napa. I stopped to congratulate him on his huge retrospective at the Smithsonian American Art Museum. What's It All Mean: William Wiley in Retrospect includes over 90 paintings, works on paper, sculptures and mixed media pieces that demonstrate the power of this man's legacy. It's coming to the Berkley Art Museum in March--I wouldn't miss it for the world.
Last stop was Paule Anglim Gallery, with more pleasant surprises (like running into Enrique Chagoya, Kara Maria, Wanxin Zhang, and Hung Liu). They were all there to see new work by Randy Hussong (aka Hot Rod Randy). Randy's 350lb. steel plate box "Trap" resounded with his usual irony that both creates laughter and worry. It is an entirely appropriate piece for the time and place we find ourselves at the start of 2010--always in danger with a tenuous, but solid way out.
I hope this night is predictive of my year ahead--I started off alone on a quest for inspiration and found that I have many friends along on the same quest, all glad to see me as much as I was them. Happy New Year art world!
images above: Apollonia Morrill, Linda Connor, William Wiley, Mike Henderson, Enrique Chagoya, Kara Maria, Wanxin Zhang, Hung Liu, Randy Hussong